mobstill.blogg.se

1. ADOBE CS6 AFTER EFFECTS LONGER TIMELINE WORK AREA END HOW TO
2. ADOBE CS6 AFTER EFFECTS LONGER TIMELINE WORK AREA END WINDOWS

Reusable frames are recognized anywhere on the timeline: when you use loop expressions (Chapters 8 and 10), remap time, or copy and paste keyframes. You can change a given effect setting or range of keyframes without disrupting other parts of the image and clip that are unrelated to that change. The brute-force part is that as soon as you made even a teeny change to all of that cached data, it all tended to be blown away, only to be recreated more or less from scratch the next time you previewed a frame or sequence.īy slicing a clip with its many selections and effects into discrete chunks and storing each of those render steps individually, After Effects CS6 greatly reduces the amount of re-rendering of cached footage. You have always needed lots of RAM to store and play back a given large-format clip using physical memory and perform operations on that large frame. Memory Acceleration: Global RAM CacheĪfter Effects has always loved plenty of RAM, but until CS6 it used it in a much more brute-force way. Depending on how often you review playback during your workday, this means either you can keep working that much faster, or the whole way that you work with the application is changed.

The result is completely subjective, but can be quantified as a routine 10–20x acceleration of RAM previews. Lots of RAM is no good if your RAM preview disappears each time you make an edit fast storage doesn’t mean spacebar play of a time-line in real-time and until CS6, the high-end graphics card that you purchased to work in Maya or CINEMA 4D hardly made a dent in After Effects interactivity.Įach of these areas of performance is directly addressed in After Effects CS6. In the past, After Effects has rather notoriously failed to take advantage of these advantages.

ADOBE CS6 AFTER EFFECTS LONGER TIMELINE WORK AREA END WINDOWS

cheap and plentiful RAM, and the ability of a 64-bit operating system to access far more of it (up to 192 GB on Windows 7, and well in excess of the 2 GB per processor core recommended for After Effects).

ADOBE CS6 AFTER EFFECTS LONGER TIMELINE WORK AREA END HOW TO

Global Performance Cache is the result of looking at what modern hardware can deliver that simply was not possible a few years ago, and figuring out how to make use of that hardware: Engineers too easily assume they need to tear technology apart and rebuild it from scratch in order to modernize it. You have to hand it to the After Effects development team here. an updated graphics pipeline that makes greater use of OpenGL to present and stream images onscreen, including the UI overlays that are a constant when working in After Effects.a persistent disk cache that saves those precalculated processes for continual reuse.a Global RAM cache that is smarter about dividing your work to save as many individual processes as possible.The feature name “Global Performance Cache” is a generic term for what is, in fact, a set of interrelated technologies:

You don’t technically need a book to experience what can be extraordinary benefits from how After Effects CS6 preserves your work in progress for instant playback you probably already know and love this feature, but as a reader of a book like this you probably also want to know as much as you can about how it works so you can maximize what it does for you. We’re over 100 pages into the book and just now getting into the most revolutionary addition to the latest version of After Effects. Sometimes it works, but it’s not really supposed to work, and most often it doesn’t. Although After Effects doesn’t prohibit you from doing so, don’t apply a track matte to another track matte and expect consistent results.